Self Help #1 [Review]
Do you have a celebrity “doppelgänger”? You know, someone in the world of show business that could pass as your twin? Ever wonder what it would be like to swap places? Self Help, written by Owen King and illustrated by Jesse Kellerman, delivers a take on this intriguing premise, aided by compelling characters and a rich aesthetic. This debut issue sets the stage for a fascinating exploration of identity, luck, and the pursuit of a better life.
The protagonist, Jerry Hauser, epitomizes the classic down-on-his-luck everyman. Struggling to make ends meet in the gig economy, Jerry drives for a rideshare company, scraping by day to day. King’s writing excels in portraying Jerry’s plight, subtly hinting at a more prosperous past that has since slipped away. These glimpses into Jerry’s history not only build empathy but also pique curiosity about where things went wrong and how they might be set right.
The twist in Jerry’s otherwise mundane life comes with his striking resemblance to Darren Hart, a world-famous self-help coach whose tagline, "Only you can help you," has made him millions. This uncanny resemblance sets the stage for the central conflict and potential transformation in Jerry’s life. When Darren’s Tesla fails him, fate steps in, and he ends up in Jerry’s car by sheer happenstance.
King’s narrative deftly weaves together the lives of these two men, creating a scenario ripe with possibilities. Darren Hart’s confidence and success starkly contrast with Jerry’s misfortunes, highlighting the theme of self-improvement and the often arbitrary nature of success. As the issue draws to a close, a glimmer of opportunity emerges for Jerry, suggesting that his life could take an unexpected turn for the better.
Jesse Kellerman’s artwork enhances the story’s impact significantly. His style, best described as a vibrant noir, brings a unique aesthetic to the comic. The rich colors and detailed illustrations create a vivid and immersive world, perfectly balancing the gritty reality of Jerry’s life with the polished veneer of Darren’s. Kellerman’s art captures the emotional depth of the characters, from Jerry’s weary resignation to Darren’s charismatic confidence, adding another layer of engagement for the reader.
The comic’s pacing is well-executed, with a strong opening that hooks the reader and a satisfying progression that maintains interest throughout. King’s ability to set up Jerry’s character and hint at his past without overwhelming exposition is commendable. This balance ensures that readers are invested in Jerry’s journey and eager to see what lies ahead.
Overall, Self Help is a strong opening issue that leaves a lasting impression. King’s writing and Kellerman’s art combine to create a compelling narrative that explores themes of identity, luck, and self-improvement. Jerry Hauser is a protagonist that readers can root for, and the intriguing premise promises exciting developments in future issues.
For fans of character-driven stories and unique artistic styles, Self Help is a must-read. It’s a fantastic start to what promises to be an engaging series, and I’m already looking forward to seeing how Jerry’s journey unfolds.
